did you listen to the GPO version? It is much more realistic imho. - Thanks!!

I hear a bit of Gershwin in some of the thick chords you've constructed. Intimidating in it's complexity. I'm a sucker for big piano pieces ;) I don't much care for the velocity variations that lack tonal variations to match, but that's a minor complaint. Good stuff :D

Interesting... Interesting... :) You might want to check out this plug: http://www.truepianos.com/index.php . To be honest, I find that there's perhaps a bit too much chordal-based performance here. You tend to use repeated (or alternating) block chords an awful lot, which, although they may well achieve a big, dramatic sound, tend to detract from the flow of the piece. Also, there are a *lot* of different performance styles in the piece. You have sections which are heavily jazz-influenced, sections which sound very twentieth-century, sections which are completely atonal, and sections which are predominantly tonal. Perhaps a bit too much variation for my tastes. :) That being said, though, it's certainly an interesting piece to listen to. As one of the reviews below says, you've put every note in for a reason: there's no redundancy whatsoever. So while I can appreciate the technical abilities you exhibit in the track, it's just not my cup of tea. :)

Hi Yliaster - I am glad you are enjoying it!

Hi Cortoh, I didn't play anything. This was scored and the samples are not the best but much better than the original module. (I hope to remedy that soon).

If Pierre Boulez and Keith Jarrett had a baby, fed it a steady diet of methamphetamines and taught it to play a gasoline-powered upright piano, this piece would be it's premiere performance. Monumental effort. It will take me days to fully absorb this but wanted to let you know how much I am enjoying it.

Sadly, I don't have the musical knowledge to give you a constructive feedback, however, I'll give it a try.. and just like the previous piece you've put online, this one might sound.. "hectic" at first, but it's definitely not, and even someone musically poorly educated could sense the numerous and different patterns layering the whole track. The first movements, and the first notes, could "trick" the listener, in a way that they all sound almost low-resolution samples, and with little, if no structure, but it'd be a mistake to think so. Soon, one'd realize this piece is everything but structureless, and the choices of this or that piano sample, were all made on purpose. -- Amazing piano play, and certainly played by a highly skilled man. -- C-H