You guys are awfully sweet. This whole thing is centered around a Korn-sample -- really! -- and I thought it would be fun to do a Moby-style mellow-piano-esque song around a Korn-sample. The Korn-sample by the way is the "duh-dum-tssh!" thing you hear constantly through the song. Did I mention you're breaking my heart? :)

I'd like to add that the piano would sound better if you had even a small collection of additional samples to spread across the range it plays in.

As much as I like distortion >:) there's some really good industrial out there that doesn't have any :O I hear industrial elements in the drums, both the samples themselves and the way they're mixed, and in some of the bass line work. Good stuff :)

if I may ask - what makes this industrial to you? it is a nice tune - much industrial I have heard here uses quite a bit more distortion.